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James Garner, shown in 2006, was an Oscar nominee for "Murphy's Romance" opposite Sally Field.
"He's still in the hospital, but my understanding is he is doing well and will be going home soon. When, exactly, we have not been told yet," Allen said.
Garner, who turned 80 last month, rose to prominence in the 1950s as the star of "Maverick," playing a wry riverboat gambler who was quicker with a quip than a gun and, unlike his Western counterparts, was faster still to run from trouble than to face it. The show aired from 1957 to 1962, but Garner, who was nominated for an Emmy as Bret Maverick, left in 1960 to pursue a film career.
He has appeared in such films as "The Children's Hour," "Victor/Victoria" and "The Great Escape" and was nominated for an Oscar in 1985 as the small-town pharmacist opposite Sally Field in "Murphy's Romance."
Garner returned to television full-time in the mid-1970s playing Jim Rockford, a modern-day private detective who, like his "Maverick" character, also was not afraid to run instead of fight. He won an Emmy for the role in 1977.
Garner also reprised his Maverick role in the short-lived "Bret Maverick" series in the 1980s.
More recently, he played Katey Sagal's father in the sitcom "8 Simple Rules ... for Dating My Teenage Daughter." Garner joined the cast in 2003 after John Ritter, who played Sagal's husband, died during the show's second season.
The opening scene of the 1966 flick Grand Prix featured actor James Garner in one of the most memorable movie moments of all time.
The green flag drops amid a deafening roar of Formula One machinery. A blur of drivers in their tube-shaped metal envelopes begin their full-scale assault on the streets of Monte Carlo. Split-screen images projected onto the oversized curved Cinerama screen provides an
all-too-real sense of riding along with the drivers as they frantically jockey for position. Suddenly, in a split-second, two cars collide and you're watching, wide-eyed, as one car violently catapults off course - straight into Monaco's yacht-filled harbour. Fortunately, the hero Pete
Aron, played in his usual easy-going style by James Garner, escapes his metal coffin, gasping for air as a trio of scuba divers swims to his aid.
Pure Hollywood fantasy? Well, not exactly. What Grand Prix director John Frankenheimer chose for his movie's opening sequence happened to real-life driver Alberto Ascari at that very spot 11 years earlier while he was leading the event.
For Garner, working on Grand Prix became an example of life imitating art. As a result of the movie he would become hooked on racing and remain actively involved in the sport for many years after this ground-breaking movie was in the can.
Garner's interest in fast cars goes back to his pre-acting days. Born James Scott Bumgarner in 1928, the Norman, Okla., native was driving hot rods around town as a teenager. But this carpet layer's son couldn't afford his own wheels, so he was usually piloting one of his
buddies' modified jalopies.
Following minor stage and small-screen roles, Garner's first of many breaks came in 1957 when he starred in the TV western series, Maverick. After four successful years, he moved to the big screen, where he played the leading man in a number of fluffy romantic comedies
before landing a major role in The Great Escape. This real-life movie vaulted the suave and debonair Garner into bona fide superstar status.
Grand Prix director Frankenheimer actually wanted Steve McQueen for lead roll as Pete Aron, but the deal fell through after a rocky interview that Frankenheimer was unable to attend.
Garner, who badly wanted the part, was picked.
Before shooting began, Garner took lessons from Bob Bondurant, a successful Grand Prix and sports car driver who would eventually begin his own high-performance driving school. Garner followed that with a session at the Jim Russell Driving School in England where he was
joined by some of the other principal actors. The Russell experience taught him plenty, including the fact that the lanky six-foot-three actor was too big to comfortably fit inside the cockpit of a Grand Prix race car. Garner immediately went on a diet, managing to lose nearly 10 kilograms. Even then, he had to drive with the seat removed from the car so his head would be lower than the roll bar.
Frankenheimer's $8-million epic began shooting in late May 1966. The director employed many well-known Formula One stars as background actors, including Graham Hill, Dan Gurney, Jochen Rindt, Chris Amon and Bruce McLaren.
Some of these drivers were also hired to drive camera vehicles that would chase the mostly fake Grand Prix race cars specially constructed by Jim Russell for the movie.During production, Garner's skill behind the wheel impressed many of the racers involved in the project. Grand Prix opened in late 1966 to rave reviews. Not only was the film exciting to watch on the giant screen, its special effects and camera techniques created specifically for the movie were technical breakthroughs that are still in use today.
36 Hours (1965)
36 Hours takes the typical concept of a war movie and tosses it out the window, instead giving us a cynical, suspenseful, psycho-thriller that will make you smirk, think, and it will surprise you.
James Garner plays US Army Major Jeff Pike, who's dispatched to Portugal on a mission just before D-Day. He's privy to the details of operation Overlord, and the Germans know it. Through their nasty network of Nazi spies they manage to kidnap him, and then the real fun begins.
Heartsounds (1984) – Glenn Jordan helmed one of the finest telemovies of the last thirty years with this delicately-handled yet emotionally charged docudrama about the difficult experiences of Martha Weinman Lear, when her husband, Harold, suffers an ongoing series of heart attacks. As the leads, Mary Tyler Moore and James Garner are nothing short of perfection. Working with Jordan, from a script by Fay Kanin (adapted from Weinman's bestselling memoir) the two actors bring to fruition a series of moments dazzlingly poignant and authentic; seldom has a film struck so many real and deeply resonant chords, mirroring the tensions and emotional contradictions of real life experience. Screens on the Encore Love Stories Channel, 4/1 at 5:45am, 4/5 at 9:10am, 4/15 at 9:30am, 4/25 at 7:15am.
Barbarians At The Gates (1993) *** 1/2
Director: Glenn JordanStarring: James Garner, Jonathan Pryce, Peter Riegert, Joanna Cassidy, Fred Dalton Thompson, Leilani Sarelle, Matt Clark
This Emmy-winning made-for-TV movie takes a humorous look at actual events in a big 1980s takeover war. It falls somewhere between a light drama and a comedy, but the seasoned professional acting (particularly lead James Garner) and experienced direction is far above usual TV standards. There is a pretty good story about excess and the battle for big bucks.
James Garner is F. Ross Johnson, who has gone from being a hardworking paperboy in Winnipeg, Canada to a jet setting, big spending CEO in NYC. When Johnson is faced with an expensive project that seems headed for failure, he chooses to deflect shareholder backlash by trying to raise the money to buy the company himself. It might have worked, but when a couple other green sharks get the whiff of possible profit, the bidding war is on. What follows is corporate juggling, scrambling, and general skulduggery in a world where all the numbers have nine zeroes.
Imagine a Wall Street where Gordon Gekko is a charming, nice guy (but greed is still good) and with a comedy slant, and you will have some idea of what to expect here. All in all, this is a pretty fun way to learn the difference between a corporate takeover and a hostile takeover. Admit it. You have always wanted to know.
Norman's James Garner will lead state Centennial Parade Norman native James Garner will serve as the grand marshal of the Oklahoma Centennial Parade, officials with the Oklahoma Centennial Commission announced this week.
The prarade is scheduled for at 2 p.m., Sunday, Oct. 14 in downtown Oklahoma City.
Presented by Noble Corporation, the parade centers around the theme, “Celebrate Oklahoma! A Unique History. An Extraordinary Future.”
The parade will fill downtown Oklahoma City streets with floats, giant helium-filled balloons of state icons and children's favorite characters, performance groups and marching bands.
“Throughout the years, James Garner has been a wonderful ambassador for our state, not only spreading the word about his home state, but also returning frequently to contribute to Oklahoma projects,” said Lee Allan Smith, chairman of Centennial projects and events. “We are proud to feature this Oklahoma treasure in the parade of a century.”
Best known for his roles in television's Maverick and Rockford Files, Garner was born on April 7, 1928 in Norman.
His father, Weldon Bumgarner, was of European ancestry and his mother, Mildred, was one-half Cherokee. After a brief stint in the Merchant Marines at 16-years-old, Garner moved to Los Angeles to join his father.
After serving in the Army during the Korean War, Garner — who won two purple hearts — decided to try his hand at acting. His first on-camera appearance was with Clint Walker on the TV series Cheyenne. His feature film debut came in Toward the Unknown.
He also gave an acclaimed performance as Marlon Brando's friend in the hit film, Sayonara, which led to his first big break - the starring role in the television series Maverick, which brought him true stardom. He shortened his last name to “Garner,” after a studio miscredited him in a film.
Since then, he has starred in roughly 40 films, including The Children's Hour, The Great Escape, The Americanization of Emily (his personal favorite), Grand Prix, Cash McCall, The Divine Secrets of the Ya Ya Sisterhood, The Great Escape, Move Over, The Notebook, Support Your Local Sheriff, The Skin Game, The Thrill of It All, Victor/Victoria. Next up for Garner will be the 2008 release of the animated feature Terra in which he is the voice of the character Doron.
Garner has also received his share of state honors.
In 1986, he was inducted into the Oklahoma Hall of Fame and three years later, was named Ambassador of Cultural Arts for the State of Oklahoma. Graner was inducted into the Cowboy Hall of Fame in March 1990 and received the Western Heritage Award for Lifetime Achievement in Film and Television from the Gene Autry Museum.
In 1995 he received an Honorary Doctor of Humane Letters degree at the University of Oklahoma. In April 2006 a statue of Garner depicting him as “Maverick” was created by the noted artist, Shan Gray. A Centennial project, the statue is now a destination for visitors from all over the world.
The Centennial Parade is free and open to the public. For information about the parade route, parking and shuttles, please visit www.okcentennialparade.com.
Copyright Saturday Evening Post. All Rights ReservedI also loved working with James Garner, who is so unsung. When we were shooting the scene where we have lunch together, I'm throwing grapes up in the air, catching them with my mouth, and he's just sitting there. "Doncha want a cuppa coffee?" I ask him, and he says, "No, you're doing it all." I'd love to work with him again. He's in the same league with Olivier, Ralph Richardson, Gielgud, in a different way. All of them are coming from the inside, and all their thoughts have to be right. James Garner makes acting look effortless – that's hard work.
That's Malcolm McDowelll talking about working with Garner in Sunset. Quote's from an interview McDowell did with N.P. Thompson of The House Next Door. Thompson was focused on McDowell, naturally, so he didn't chase that down---Garner in the same league as those three great British hams? What did McDowell mean?
I'm guessing that when he says that, like those three, James Garner is "coming from the inside" he means that when you watch Garner you have to look into his eyes. He makes you read his thoughts. His characters don't move about much (neither do Olivier's but he vibrates so intensely when he's just standing still you feel as if he's moving as much as Gene Kelly does when he's dancing) but they're always thinking. You can see their minds working, which is how Garner can dominate a scene in which he has few lines, he's playing opposite an actor as volatile as McDowell, and that other actor is doing something as flamboyant as tossing grapes up in the air and catching them in his mouth. McDowell appears to have been worried about upstaging Garner but Garner knew. He can afford to give away space to anyone who's onscreen with him.
Garner once said he learned everything he knows about acting from watching Henry Fonda in the stage version of The Caine Mutiny Court Martial. It was one of Garner's first acting jobs. He played a member of the panel of naval officers trying the case and he had no lines. He kept himself occupied by studying Fonda, another actor who I'd say worked "from inside."
That's my guess. I'll find out. I'm making Sunset family movie night next week. Tonight's family movie night is, coincidentally, Time After Time, which stars McDowell as H.G. Wells who, movies being movies, turns out to have actually invented and built the time machine that's at the center of his novel. And, movies being movies, it turns out that Jack the Ripper uses the time machine to escape from the police and Wells jumps in it after him and chases him into the 20th Century to bring him back to justice. Wells, who thinks of himself as a visionary, is shocked but then enthralled by all the things he never envisioned, particularly Mary Steenburgen.
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    Bill Becker / S&S Actor James Garner, interviewed in Saigon in April, 1967. Garner, a Korean War veteran, was visiting servicemembers in South Vietnam.  |
SAIGON — James Garner, the latest Hollywood actor to play the USO Borscht Circuit in Vietnam, feels that the main reason the U.S. public hasn't been sold on the war is because the United States was not attacked. Garner, a Purple Heart veteran of Korea, says that he personally feels the situation is much like it was in Korea when General Matthew Ridgway addressed the troops and asked, "If you see a burglar coming, do you want to stop him at the back fence or wait until he gets into the house?" "Here in Vietnam we couldn't wait for some sensational incident to happen or it would have been too late to help these people save their country from communism," Garner added. The prospect of making a Vietnam tour caught Garner off guard, he readily admits. "I asked them what they thought I could do — no songs, no dances, no jokes. But here I am." Traveling solo around the country, he has arrived at the conclusion that "the morale here is about 100 percent higher than it was in Korea." Occasionally Garner runs across a GI who wants to try him for size. "They might ask if I was over here on some tax writeoff, or how much I get paid. When I explain that I'm an ex-rifleman private with the 24th Inf. Div.'s 5th Regimental Combat: Team, and came over for nothing, everything is OK." As for Hollywood and the war, Garner feels it will be some time before any pictures based on the Vietnam war are produced. "There are a lot of technical problems — getting the right equipment, finding the right locations and such, but above all it is too soon. The pictures made about the Korean War didn't do well at the boxoffice, but World War II pictures are well received now." Garner is not worried about his most recently released film doing well. "Grand Prix," the story of European auto racing, seems well along the road toward soaking up 40 or 50 million at the boxoffice. This was a labor of love for Garner, who was a California hot-rodder in his youth. While he developed a great admiration and respect for the men who drive the powerful Formula I cars, Garner doesn't hesitate to admit that it isn't for him. Garner, star of the highly successful "Maverick" TV series, is getting ready to mount up again soon when he plays Wyatt Earp to Jason Robards Jr.'s Doc Holliday in a picture that takes up the great lawman's career after the battle of the OK Corral.
Show us who you'd like to kiss under the mistletoe.
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Saturday, April 07, 2007
Happy Birthday, Jimbo
posted by J. Kingston Pierce at 4:58 PMI’ve been thinking a lot about James Garner lately, not just because he is among my favorite actors, but because one of the characters he’s best known for having portrayed--Jim Rockford of The Rockford Files--is contending in The Rap Sheet’s second online poll forthe title of “best TV private eye in history.” It’s Garner’s 79th birthday today, and that got me to thinking about a short tribute to him I penned last year for my other blog, Limbo. I’ve used that post as the basis for this longer panegyric.
Born James Scott Bumgarner in Norman, Oklahoma, on this date in 1928, the man who would be Rockford was the son of a carpet layer. His mother (through whom Garner is one quarter Cherokee--a fact recalled in the name of his film and TV production company, Cherokee Productions) died when young James was just 4 years old, and he and his two older brothers, Jack and Charles, were sent to live with relatives. Only after their father remarried in 1934, was the family reunited--but by no means peacefully. According to Wikipedia, “Garner grew to hate his stepmother, Wilma, who beat all three boys, but especially young James. When he was 14, James finally had enough of his ‘wicked stepmother’ and after a particularly heated battle, she left for good. As James’ brother Jack commented, ‘She was a damn no-good woman.’”
At age 16, James Bumgarner joined the United States Merchant Marine, but he had to leave after a year, due to chronic seasickness. He moved west to Los Angeles, where his dad was living since the breakup of his second marriage. There he attended Hollywood High School and modeled for Portland, Oregon-based swimsuit manufacturer Jantzen (at $25 an hour), but he “hated” modeling and returned to Norman, where he played high school football and basketball (“If there was a ball, I played it”) before joining the U.S. Army as an infantryman during the Korean War. (He would receive two Purple Hearts for his military service.)
As the story goes, his first acting experience came while he was still attending Hollywood High. A friend persuaded him to take a non-speaking role in the Broadway production of Herman Wouk’s The Caine Mutiny Court Martial. After that he starred in TV commercials and eventually captured roles on such series as Zane Grey Theater, Conflict, and Cheyenne. His earliest movie appearances were in 1956, when he could be seen in both Toward the Unknown (with William Holden) and The Girl He Left Behind (with Tab Hunter and Natalie Wood). As to why he changed his surname ... the explanation is that one of the film studios he worked for abbreviated “Baumgarner” to “Garner” (without permission), and he eventually went along with it. (He changed his name legally in the late 1950s.)
I was first introduced to Garner’s work during weekend reruns of the renowned Roy Huggins-created TV western, Maverick, one of my father’s favorite programs and also among the inspirations for my continuing interest in the history of the American West. Garner of course played Bret Maverick (1957-1960), a not too rough-and-tumble riverboat gambler who roamed the dusty, sometimes lusty U.S. frontier as much for fast bucks as adventure, becoming--as the theme song goes--“a legend of the west.” After that, I followed his career through a tumbling succession of memorable films--from The Great Escape (1963), The Wheeler Dealers (1963) and The Americanization of Emily (1964), to the better-remembered Support Your Local Sheriff (1969), Marlowe (an underappreciated 1969 film based on one of Raymond Chandler’s private eye novels, The Little Sister), Support Your Local Gunfighter (1971) and Skin Game (1971). Along the way, Garner starred in an unfortunately short-lived NBC-TV series called Nichols, which found him in the comfortable role of a cowardly, apathetic drifter (not so very different from the parts he’d played in Gunfighter and Skin Game) who, in 1914, leaves the army and returns to his small Arizona hometown ... only to be promptly blackmailed into taking the job of sheriff. Garner, who was extremely fond of Nichols, took its cancellation hard; the only good thing about it was that it left him free to take the lead three years later in The Rockford Files, another Huggins-created series.
Rockford cast Garner as a resourceful, smooth-talking, but distinctly unheroic Los Angeles private eye who never seemed to find an easy-paying client, a regular girlfriend, or a decent place to hang his hat (he lived in a dilapidated Nashua trailer in a Malibu parking lot). James Scott Rockford was effectively Bret Maverick for the 1970s, but with all of his horses under a Pontiac Firebird hood and a father who (unlike the philosophizing “Pappy” in Maverick) showed up more often than not, in the kindly person of Noah Beery Jr., the nephew of film legend Wallace Beery. During its six-year run (1974-1980)--which would have been longer, had Garner not been forced to pull out after injuring himself in the course of doing too many of his own stunts--Rockford picked up an impressive five Emmy Awards (including a Best Actor commendation for Garner) and was ranked by TV Guide as one the 50 finest American television shows ever. “When it came to private eyes--at least, the ones on movies and TV--Jim Rockford ... stood out like a slow curve in a world of fast balls,” opines Ed Robertson, who literally wrote the book on Garner’s gumshoe drama (Thirty Years of The Rockford Files, 2005).
After Rockford signed off as a series for the last time (only to spawn a sequence of popular TV movies during the Clinton era), the then 53-year-old Garner sought to return to his other most familiar small-screen role in NBC’s Bret Maverick (1981), which reimagined the former card sharp and con man semi-retiring to a backwater Arizona town. Sadly, that series--which I thought went a long way toward recapturing the vitality and humor of the original--lasted only a year, after which Garner returned to the silver screen, appearing in Victor/Victoria (1982, along with Julie Andrews), Murphy’s Romance (1985, with Sally Field), Sunset (1988, which had him portraying a crusty-but-romantic Wyatt Earp to Bruce Willis’ cowboy actor Tom Mix), Maverick (1994, in which he played the role of an impatient marshal, while Mel Gibson--in his pre-zealot days--assumed the part of brother Bret), Twilight (1998, with Paul Newman), and Space Cowboys (2000, with Clint Eastwood and Tommy Lee Jones). He also signed on for a few TV movies, including Barbarians at the Gate (1993), Breathing Lessons (1994), and Legalese (1998, which included the casually stunning Mary-Louise Parker as Garner’s sexy, thoroughly ambitious junior law partner).
Following The West Wing’s award-winning early success, Garner made another stab at series television, working opposite Joe Mantegna on First Monday (2002), about the U.S. Supreme Court. Garner portrayed a football-loving conservative Chief Justice of the United States (a funny role for Garner, who’s a staunch Democrat, and was briefly courted to run for the 1990 Democratic nomination for governor of California). Unfortunately, audiences didn’t seem to care about earnest debate in the High Court the way they did about political strategizing and character assassination in the White House. First Monday didn’t make it into a second year. Garner went on to play a classically crusty grandfather on 8 Simple Rules ... for Dating My Teenage Daughter, an unremarkable part he took on after the untimely, 2003 death of lead John Ritter. The Internet Movie Database says he’ll be starring in a 2008 film called The Magic Shoe and doing voice work for an animated flick, Terra.
I’ve never met James Garner, and I am sure that he isn’t to be confused with the easygoing, lovable characters he has so often portrayed. But he’s given me four decades of enjoyment on screens large and small, and for that, he earns my best wishes on 79 years down, and many more to come.
SEE IT NOW: In March 1999, Garner was interviewed on-camera for the Archive of American Television. That candid and informative, six-part appearance is currently available on Google Video. Part one can be found here, together with links to the other five installments. It’s not to be missed by Garner fans.
His easygoing charm and dry humor made him one of America's most enduring TV and film stars. But Jim Garner's climb to the top included legendary battles against Hollywood power brokers and serious injuries and depression. Our portrait includes the story of his successful legal fight against Warner Brothers, and features clips from the hit TV series "Maverick" and "The Rockford Files" and from memorable movies including "The Great Escape", "Victor/Victoria", and "Murphy's Romance".
Buy JAMES GARNER's Biography on VHS video.
Buy JAMES GARNER's Biography on DVD.Sep 24, 2004 James Garner: Not many actors would have been able to put their slippers in the Hennessy closet on ABC 8 Simple Rules after the comedy series family lost their leader, John Ritter, who was one of the nicest men in the business. Garner could and did. The series cast members have overcome some of their grief and confusion, thanks in part to Garner soothing presence. The Screen Actors Guild (SAG) announced on Wednesday that the popular actor will be honored with the Life Achievement Award for career achievement and humanitarian accomplishment. SAG President Melissa Gilbert told reporters that Garner, 'epitomizes class, style, wit and depth' before adding, 'he serves as a role model for all of America actors.' We concur. Garner will receive the Award during the live TNT telecast of the SAG Awards on Saturday, February 5, 2005.
I remember thinking Time After Time was a great flick, but haven't seen it in awhile. I've never seen Sunset, but don't remember ever being disappointed by James Garner's portrayals.
Malcolm McDowell always reminded me of something George Carlin said about cats... Cats he said, always looked like they were getting used to new contact lenses. I always thought Malcolm looked the same way... those kind of bloodshot, wide open eyes with deliberate blinks...
Posted by: Jennifer | Friday, November 17, 2006 at 12:49 PM
Love love love Malcom McDowell. I always thought he shot his career by doing Caligula, but apparently it didn't hurt Helen Mirren, so I don't know.
My favorite scene in Time After Time was when Wells walked into a McDonalds and imitated the redneck in front of him to order food. He picked up his fries, looked at them quizzically, and tasted one. His face lit up. "Pomme fritte!" he exclaimed joyfully.
Also, James Garner is not just an actor. He's a MAN. In all capital letters. I don't care how old he gets, he does me in every time.
Posted by: merciless | Friday, November 17, 2006 at 01:58 PM
Lance,
Watch Twilight to see Garner, Gene Hackman, Paul Newman and Susan Sarandon in a well-modulated little film about getting old in a town where being young is so important. It might not be family night material, but it's a good movie.
Posted by: apocalipstick | Friday, November 17, 2006 at 02:22 PM
Funny... I haven't seen Sunset in an age, and I didn't even remember McDowell being in it(unusual, because he's one of my favorites as well), and probably wouldn't have remembered Bruce Willis being in it if he hadn't been on the poster, but Garner... the one scene that I remember clearly from the movie is where they're shooting the gunfight at the O.K. Corral, and someone asks Earp (Garner) if they've gotten it right, and Earp remembers the way it really was... I won't spoil it for you if you haven't seen it.
Jennifer--have you seen the remake of Cat People, the one with Nastassja Kinski and the Giorgio Moroder soundtrack (Bowie sings the theme song; that version is much better than the one on Let's Dance)? McDowell plays... wait for it... a werecat. Best thing in the movie, really; McDowell can sometimes be the only thing worth watching in an otherwise shitty movie, and frankly, he's done quite a few of those, as well.
Posted by: Tom D. | Friday, November 17, 2006 at 02:42 PM
Almost 30 years on, "Time After Time" is still one of my favorite movies ever.
And as the sadly canceled "Joan of Arcadia" showed, Steenburgen is still Teh Hot.
Posted by: Lex | Friday, November 17, 2006 at 07:20 PM
James Garner really was/is the picture of a pro. If nothing else, we owe him honors for The Rockford Files, one of the first private detective shows actually made for adults. (I mean, Mannix? Come on.) A terrific show, Rockford, the best of that wave of more comedic (and occasionally existential) PI fare that included Harry O and even Cannon, a show that dared you to disbelieve in an obese man's power to fight crime as well as anyone.
But Rockford! A man who often didn't carry a gun. Burdened with no-good ex-con friends. Drove a creaky old American road monster as big as a city block. Way above-average writing for the genre, but everything rode on Garner's likablity and obvious-yet-never-overbearing masculinity. And all those episodes of a one-hour show equal how many movies?
Malcolm McDowell.... he shoulda been a contender. How I wish that someone around 1985 had shaken him by the shoulders and declared, "You're Malcolm McDowell! Stop with this (&@(*^# you're making! No more Blue Thunders!"
Posted by: KC45s | Friday, November 17, 2006 at 08:49 PM
I'm with KC45s on James Garner in the Rockford Files. I loved it as a kid and have begun watching it on DVD again. As Rockford he can make his character believable as a self-centered coward and as a reluctant, but tough hero. You always believed that he might actually give up when things got hard, even though, he never did, of course. His relationship with Noah Beery seemed natural and tender as well. I will disagree with KC on Mannix though; I used to love that show, but maybe, it was more for the theme song and Mike Connors' hair.
Posted by: OutOfContext | Friday, November 17, 2006 at 09:29 PM
Love both Malcolm McDowell and James Garner. So have put "Sunset" in my Netflix que, not having seen it. I'd expected to not care for "Time After Time" so was surprised at how much fun it was, yet haven't viewed it but once.
Posted by: Idyllopus | Friday, November 17, 2006 at 10:34 PM
The Siren did an essay on how Brit actors aged; well, McDowell did well, unlike so many of that generation. Garner to me will always be part Bret Maverick, part Charley Madison. Get Emily for a family night.
Posted by: Exiled in New Jersey | Saturday, November 18, 2006 at 05:54 AM
James Garner has always been one of my very favorite actors. Wild, Wild, West was an absolutely wonderful show, because Garner made it so easy to suspend disbelief. And The Rockford Files was just awesome. Athough, I have to admit that I enjoyed them immensly as a child. It is notable, that it is one of the few shows that I really liked when I was a child, that I can watch now and actually sit through an episode or two, or more.
I definately think it is presence. I cannot remember the nae fo the movie, it was a bad one, that we went to see as a family in the mid-eighties. He was in substantial portion of the movie - but very rarely said anything. As I say, it was a bad movie - but worth watching, just to see Garner, saying and doing very little - but dominating the screen anyway.
Posted by: DuWayne | Saturday, November 18, 2006 at 09:12 AM
Absolutely agree about James Garner. He's been my personal hfavorite since the original Maverick in 1957.
I don't care how old he gets either - James is still THE MAN!
Posted by: MorganLvr | Saturday, November 18, 2006 at 05:05 PM
ditto on garner. always a great favorite. also enjoyed very much 1994s maverick, in which he played maverick sr to mel gibson's
maverick jr. they (and jodie foster) were magical together.
i have a videotape of tombstone/butch cassidy/maverick. whenever i get too sick of things i play it and am renewed.
Posted by: daveminnj | Saturday, November 18, 2006 at 08:07 PM
James Garner, "Murphy's Romance"...sigh.
Posted by: JD | Saturday, November 18, 2006 at 08:24 PM
JD -
I think that might be the one I was thinking of. Did I say bad. . .Ummm, well, I was only nine when I saw it. . .
Posted by: DuWayne | Sunday, November 19, 2006 at 07:30 PM
Lance, I've mentioned The Rockford Files here previously, though I can't quite remember why. Perhaps my all-time favorite TV show. Superb writing and then James Garner to make it happen.
I've never seen Sunset, and have not heard good things about it (until now). Perhaps I'll give it a shot anyway...
Posted by: Kevin Wolf | Monday, November 20, 2006 at 09:15 AM